A finite absurdist collection
Because laughing is more fun than crying
Derived from hand-drawn art, digitally re-evolved to perfection
Teddie started as a quick hand sketch, the kind you make on autopilot. A teddy bear. Soft. Friendly. Harmless, until you look a second too long and something feels slightly misaligned, like a childhood object that remembers more than it should.
Initial input consisted of a hand-rendered schematic representing an internal structure of unknown scale and function. The form was intentionally incomplete and presented without contextual markers.
Join the Club started as a fast, panicked sketch, the way anxiety shows up in dreams. A figure mid-flinch. Eyes too open. Body locked tight and unresolved. Less an image than a moment you wake up inside.
Grubster Love began as an impulse to broadcast, not a character study, but one nonetheless. The TinyGrubster logo is displayed without metaphor, paired with a QR code that refuses subtlety. Scan it or don’t. Either way, the moment has already happened.
Bloom doesn't ask permission. It just sits on your chest, all curled lines and soft neon, looking like it wandered out of a biology textbook that got left in the rain.
At first glance it reads as something delicate. A spore, a flower, a signal caught mid-transmission. Then your eye catches up with itself and you see what it actually is, and there's a half second where you have to decide whether to laugh or pretend you didn't notice. That half second is the whole design.